On a lighter note… A hilariously bad little video from The Guardian introducing the Caxirola, which they’ve decided is the “Brazilian Vuvuzela” but also “a glorified rattle”.

I bet the atmosphere at the “Bahaya state derby” is going to be pretty special…

Quick Sounds & Colours Brazil update: they’re running a poll on the most influential Brazilian album of all time for a feature in the book. Get your votes in now.

Seems to me like it ought to be a straight shoot-out between Tropicália… and Chega de Saudade, but only time will tell I suppose.

Incidentally, if you’re relatively new to Brazilian music then you should definitely check out that list. It’s pretty much the ideal introduction.

Even for an organization that’s widely acknowledged to be as bent as the proverbial nine-bob note, yesterday’s dispatches from the frontline of mega-event organisation and international relations are pretty extraordinary. The BBC reports that FIFA General Secretary Jerome Valcke took time out of his busy schedule to complain about an excess of democracy in Brazil that’s inconveniently hindering his organisation’s plans to get rich get even richer organise a World Cup in 2014. No, seriously:

“less democracy is sometimes better for organising a World Cup,” he said [...]  ”When you have a very strong head of state who can decide, as maybe [President Vladimir] Putin can do in 2018… that is easier for us organisers than a country such as Germany, where you have to negotiate at different levels.”

Obviously at this point Valcke really ought to be taken out the back and sent to the Great Stadium In The Sky, but I think from a certain angle there’s a way to read this as great news. After all, if Brazil’s managed to get FIFA riled up then it must be doing something right.

Fabric have announced that the legendary Azymuth will play their classic 1979 album Light As A Feather in its entirety in the club’s main room on the 20th of June. Which is huge news, obviously.

If you’re not familiar with it, the album, which was recently re-issued by Far Out, is one of their best and home to the original version of the jaw-droppingly brilliant Jazz Carnival.

Beyond the obvious, I can see two reasons that this is a gig you won’t want to miss. First,  it’ll sadly be the first time the band plays live in London since the great José Roberto Bertrami passed away last year. Obviously it won’t be the same, but luckily you could fill about five bands just from the families of the original members, so I’d imagine they’ll have a pretty exceptional replacement keyboardist. And on a happier note, I’m also excited to hear some of this stuff played live in venue that’s built primarily for dancing – no disrepect to the Jazz Cafe (where they’ve played a few times before) but the atmosphere ought to be a little bit more upbeat on Fabric’s famous vibrating floor. And I’ve always felt like Azymuth’s music, or a lot of it at least, was essentially house played on analogue instruments – they could definitely teach a few of todays “EDM” characters a thing or two about how to make a track drop.

As a side note, it never ceases to amaze me how consistently interesting Fabric has managed to stay, despite being the best part of 15 years old (and becoming a bit of a tourist destination for wide-eyed out-of-town club kids). You can reliably find three or four exceptional DJ line-ups every month, and their latest mix CDs are still the most reliable indicator of what everyone else is going to be listening to in three or four months’ time.

So I had been meaning to post up about Brazil, the lead single off Gold Panda’s forthcoming second album Half of Where You Live. Title aside, I’d also read over at FACT that the track was ”influenced by a trip to Sao Paulo, where Gold Panda was amazed by the disparity between the country’s heritage and its new found wealth.” (That sounds a bit trite, obviously, but I’ve read a few interviews with the guy in the past that make me think it’s probably just a bit of artless blogger’s paraphrasing. A thoughtful dude).

Anyway, I was meaning to post something up about how interesting the idea of Brazil-inspired music from outside the country is, especially instrumental stuff, and especially when it goes beyond someone just dropping in a bit of berimbau. Maybe throw out a link to Flying Lotus’ São Paulo for good measure. But I see (via Kariann) that Chico beat me to it this afternoon, and went the extra mile as well. As he says, there’s not better advert for the country than this.

I’m delighted to see that the second book  in the series is going to focus on Brazil.

Obviously for a self-run, self-hosted blog, the costs of putting together a publication like this and making sure it’s worth the paper it’s printed on are not inconsiderable. So they’re running a campaign over at indiegogo asking for contributions to help make it happen. You can pitch in anything from five to a hundred dollars, and what you get for your money varies accordingly: from a word of thanks in the book right up to limited edition prints and a subscription to the series. Here’s what you’ll be helping to make:

“From Rio to Recife, from São Paulo to São Luiz, from the Southern plains of Porto Alegre to the pumping soundsystems of Amazonian Belém, we’ll be covering every inch of Brazil, bringing its music, film, art and literature to life. With a team of expert writers, photographers and artists, S&C Brazil will be a passionate, in-depth, authoritative and thoroughly enjoyable journey into the Brazilian way of life.”

Alongside characters like osgemeos and Nunca, Doitschinoff was part of the first wave of Brazilian street artists to make a name for themselves outside of the country at the back end of the noughties, exhibiting all over the place and making an incredible video for DJ Zegon’s star-studded N.A.S.A. project.

In more recent years, his career has tended more towards the art than the street, and the religious imagery that’s long been a feature of his work has really come to the fore – culminating in the work collected in this new book. Launched with an exhibition at Berlin’s Gestalten Space, the book’s also available from their online shop - I wouldn’t advise flicking through the slideshow on that page unless you’ve got £40 to spend on buying a copy.

]]> http://nossabrazil.org/2013/04/15/stephan-doitschinoff-cras/feed/ 0 tomcrookston Heri-Hodie-Cras-2 http://nossabrazil.org/2013/04/14/light-in-the-attic-re-issue-classic-marcos-valle-lps/ http://nossabrazil.org/2013/04/14/light-in-the-attic-re-issue-classic-marcos-valle-lps/#comments Sun, 14 Apr 2013 21:20:25 +0000 Tom Crookston http://nossabrazil.org/?p=2109 Continue reading →]]> Light In The Attic Records, the good people behind the recent re-emergence of Sixto Rodriguez (subject of the Searching For The Sugar Man documentary), have re-released four classic albums by one of Brazil’s most unique talents, Marcos Valle.

Via Okayplayer:

Released between 1970 and 1974, the four albums represent Valle’s emergence from the established bossa nova scene into his exploration of samba, jazz, harder rock sounds, and black American music over time.

If you’re new to Valle and you want to sample just one, my personal pick would be Garra, which is arguably the least interesting and innovative of the bunch but is one of those LPs that’s just pure quality from start to finish. They’re all very much worth you’re time though, as this great recent piece from Wax Poetics makes clear. And for the vinyl junkies, it’s worth noting that original copies of these records tend to go for big bucks so you won’t want to sleep on these.

Interesting one, this. Last week, Brazil-based foreign correspondent Andrew Downie wrote a story for Time.com about the closure of the Engenhão, Brazil’s 2016 Olympic stadium, due to concerns over its structural integrity. Even if, like me, you’re already cynical about the whole Olympic-games-as-development idea, it’s a bit of an eye-opener.

The Pan Am Games’ João Havelange Stadium — now intended for the track-and-field competitions in the 2016 Olympics — has just been closed because it’s in danger of collapse. The velodrome is about to be knocked down because it isn’t up to Olympic standards. And a handful of other venues are being modernized or upgraded because they simply aren’t good enough.

But one the same day the article was published, he took to his personal blog to vent some frustration after Time editors wielded the scalpel claiming that, in his words, “it was too opinionated.” The uncensored version is slightly more emphatic.

“What I wanted to say loud and clear, and have been saying in conversation for years, is this: The people who ran Rio’s 2007 Pan American Games and who are organising the next Olympics are guilty of either deceit or bad planning or both.

For the Pan Ams they promised the city of Rio 54km of new metro, a light railway line and a new highway.

They did none of it.

The games were at least six times over budget and the justification was that the venues and facilities were expensive because they were of Olympic standard.

They are not.”