Stephan Doitschinoff: Cras

Heri-Hodie-Cras-2This totally passed me by at the time, but Stephan Doitschinoff, the artist formerly known as Calma, published his second book Cras back in September.

Alongside characters like osgemeos and Nunca, Doitschinoff was part of the first wave of Brazilian street artists to make a name for themselves outside of the country at the back end of the noughties, exhibiting all over the place and making an incredible video for DJ Zegon’s star-studded N.A.S.A. project.

In more recent years, his career has tended more towards the art than the street, and the religious imagery that’s long been a feature of his work has really come to the fore – culminating in the work collected in this new book. Launched with an exhibition at Berlin’s Gestalten Space, the book’s also available from their online shop - I wouldn’t advise flicking through the slideshow on that page unless you’ve got £40 to spend on buying a copy.

Light In The Attic Re-issue Classic Marcos Valle LPs

Light In The Attic Records, the good people behind the recent re-emergence of Sixto Rodriguez (subject of the Searching For The Sugar Man documentary), have re-released four classic albums by one of Brazil’s most unique talents, Marcos Valle.

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Via Okayplayer:

Released between 1970 and 1974, the four albums represent Valle’s emergence from the established bossa nova scene into his exploration of samba, jazz, harder rock sounds, and black American music over time.

If you’re new to Valle and you want to sample just one, my personal pick would be Garra, which is arguably the least interesting and innovative of the bunch but is one of those LPs that’s just pure quality from start to finish. They’re all very much worth you’re time though, as this great recent piece from Wax Poetics makes clear. And for the vinyl junkies, it’s worth noting that original copies of these records tend to go for big bucks so you won’t want to sleep on these.

How Not To Organise A Major Sporting Event

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Interesting one, this. Last week, Brazil-based foreign correspondent Andrew Downie wrote a story for Time.com about the closure of the Engenhão, Brazil’s 2016 Olympic stadium, due to concerns over its structural integrity. Even if, like me, you’re already cynical about the whole Olympic-games-as-development idea, it’s a bit of an eye-opener.

The Pan Am Games’ João Havelange Stadium — now intended for the track-and-field competitions in the 2016 Olympics — has just been closed because it’s in danger of collapse. The velodrome is about to be knocked down because it isn’t up to Olympic standards. And a handful of other venues are being modernized or upgraded because they simply aren’t good enough.

But one the same day the article was published, he took to his personal blog to vent some frustration after Time editors wielded the scalpel claiming that, in his words, “it was too opinionated.” The uncensored version is slightly more emphatic.

“What I wanted to say loud and clear, and have been saying in conversation for years, is this: The people who ran Rio’s 2007 Pan American Games and who are organising the next Olympics are guilty of either deceit or bad planning or both.

For the Pan Ams they promised the city of Rio 54km of new metro, a light railway line and a new highway.

They did none of it.

The games were at least six times over budget and the justification was that the venues and facilities were expensive because they were of Olympic standard.

They are not.”

New (Old) Band of the Day: We Are Pirates

You might remember these guys from the briefly very popular indie band Mickey Gang, who back in 2009 were being compared to The Strokes (The Strokes when they were good, that is – not the 2009 Strokes!). Anyway, the boys from Colatina are back, minus a member but still trading in the same brand of catchy 80s-tinged guitar pop, as We Are Pirates. Have a listen to their most recent single here, or head over to their bandcamp page where you can literally name your price to download a half-dozen of their tracks.

Back2Black festival 2012

Full marks to the Barbican for this one. An outstanding weekend of live Brazilian and African music, in a great venue (with a shoutout to The Shard for excellent work in a supporting role) with too many highlights to mention. Well, almost too many: seeing the legend that is Jorge Ben up close and personal for the first time is not something I’ll be forgetting any time soon.

The weekend’s line-up was incredible all round, and the various Afro-Brazilian collaborations had a good vibe about them –  especially São Paulo rapper Criolo‘s hookup with Ethiopian jazz legend Mulatu Astatke, which I understand was a pretty spontaneous happening.

The only thing I didn’t love, to be honest, was the ABC trust’s mock-up favela ‘shack’ at their stall inside the venue, but then again they do so many awesome things that it’s easy to let that one slide.

So if Back2Black comes around again next year (and I suspect it will), you are strongly urged to get yourself involved. If only to find out how they go about topping that line-up.

Wax Poetry

Right on time to coincide with the release of the new Banda Black Rio LP, I just discovered this absolutely killer in-depth article about the Black Rio movement by Allen Thayer, from the basically flawless Wax Poetics magazine. Right-click (or cmd-click) the picture to download the .pdf – and don’t miss the brilliant sound system family tree towards the end. [h/t]